So, if I wanted to create animation in here I could and whatever happens in this Composition, also flows through to this main Composition. Thats how its layered. I'll click on the Label Color for 17 and I'll choose Red. With a weight you can control the influence of each individual layer (the less weight, the softer is the rubber band for this layer). Those pins … What you learned: Animate multiple layers. Now we can go to the Parent column and this icon here is called a Pick Whip. Now when we go back and watch a preview again, it's going to slide in and stop with a much more natural motion. Im desperate. Ive only ever used AE for compositing and simple work. Select the layer … How to fix "Display Acceleration Disabled", Fix dynamic link between After Effects and AME. The Puppet tool is used in Adobe After Effects to give animation to your images. Learn techniques and tools to simplify the process of selecting and animating multiple layers in your composition. Sample files to practice with (ZIP, 9 MB), Southeast Asia (Includes Indonesia, Malaysia, Philippines, Singapore, Thailand, and Vietnam) - English, الشرق الأوسط وشمال أفريقيا - اللغة العربية. Select the Label Group, go up under the Layer menu and choose Pre-compose... We'll call this Bottom_Pre-comp and click OK. Now notice I've got a bunch of compositions in my Project panel, so I'll click on my first Pre-comp in the top of the Project panel and I'll hold the Ctrl key on Windows or the Command key on the Mac and select the other Pre-compose Composition and just drag them both down to a new folder and we'll call this Pre-comps. I want the bluejay to go inside its tree home (its just a nest half way inside the tree). Select all the layers you want to control in the Timeline and use the pick-whip in the Parent column from any of the selected layers to point to the Null and link those layers to the parent. I have the tree split into 2 layers, one BEHIND the bluejay, and 1 INFRONT. So, let's slide the null and place it down at the bottom of this center building. Step 2. Then you can let go and then hover over the top part of that panel that we just relocated and click and drag up once you get the double arrows. Yea I the tree's going to be swaying the entire scene (maybe even some of the nest). - [Instructor] After Effects offers animators the ability to manipulate characters through its Puppet tools. To sum it up, I need to make both layers of the tree sway while the bird still looks like it goes into the center of the tree without the tree looking like it has a huge tear in-between. When the bird moves outside the mesh created in the first frame it will leave parts behind. The mesh can extend beyond the edge of the alpha channel by making adjustments to the mesh. Then press K on your keyboard to move down the Timeline to the other visible keyframe. Activating tools (keyboard shortcuts) Note: You can activate some tools only under certain circumstances. Press Ctrl + V to paste or Command + V on the Mac. Can figure out how to work Puppet tool multiple la... /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/td-p/9283753, /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/m-p/9283754#M35994, /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/m-p/9283755#M35995, /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/m-p/9283756#M35996, /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/m-p/9283757#M35997, /t5/after-effects/can-figure-out-how-to-work-puppet-tool-multiple-layers-any-tips/m-p/9283758#M35998. It can sway in 2D or 3D as well as bending and twisting. There are also tools to help divide and duplicate layers. Select the layers you wish to have sway. I want the bluejay to go inside its tree home (its just a nest half way inside the tree). This selects both the top and bottom layers, … This is a case for Null Objects. - Tree front (hides the nest and bluejay slightly to give appearance of depth), - Blue Jay (in front of BG but behind tree front). So, I'll select Layer 1 and I'll hold Shift on my keyboard and select Layer 3 and by holding Shift between my first and last selection any layers in between will automatically get selected as well. The way its layered, it looks like the bird goes in correctly with a bit of the true hiding the bluejay in front. Easier then comping and pasting a link. Having Continuously Rasterize active for the Illustrator layers will keep them nice and sharp regardless of their scale. We want them to be fanned out a little bit. Step 3: Select the Pen Tool and here we do not need the fill because we are drawing only a shape, fill will be used in masking cases, here are two options one is masking and another one is drawing shape so we select shape option. I'll put all these bars into a group, so I'll select the top bar. If we preview this animation with the Spacebar you can see they both slide in at the same time. Let's preview our animation. Move the Current Time Indicator back to the beginning of the Timeline, click anywhere outside the layers to deselect them all and press the Spacebar to preview the animation. If you don't see the Parent column active in the Timeline go to the layer name and right-click or control-click if you're on the Mac and go to the Columns here and make sure the Parent column is active. Click the second Switch in from the left that's Continuously Rasterize. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. Create a new Illustrator file using the same settings you plan to use in your After Effects file. Chris shows off the Puppet tools for distorting layers, and the incredible Roto Brush, introduced in After Effects … Any help or point in the right direction would be GREATLY appreciated. Make sure your Current Time Indicator is anywhere down the Timeline other than frame 0;00;00;00. To offset the animation, I'll stop playback and move this second layer to the right and I'll hold Shift as I start to drag and it'll snap to the second Keyframe. Basically I got 3 layers involving a tree and a bluejay. Parenting puppet pins to null objects I created a free addon script for After Effects that allows parenting puppet pins – it creates control Nulls for all Puppet Tool pins of the selected layer. After applying the Puppet … Whenever you reposition the null you want to make sure and line up the anchor point of the null with the anchor point of the scale that you plan to perform. From the sound of all this it looks like im going to have to use clever image layering to get this done. Just drag it to the forum. Click on the Label for Layer 2. … Here, we'll see how we can … So, to quickly select our Layer Groups let's go to the Label for Layer 1 and click and choose Select Label Group. Sorry if Im not clear its been a headache. Click on any one of the labels and let's change the color to Orange. Finally, before I finish working with this project I'm going to go up to my workspaces and right next to the Standard workspace I'll click on its Menu bars and I'll say Reset to Saved Layout. I'll press the Spacebar to stop playback. Using the pre-compose command in After Effects gives you the ability to clean up a composition that contains a bunch of layers while still maintaining the flexibility of having access to all of the original layers in your composition. With puppet tools I can get the bluejay to … Now to create animation I want the Menus to slide in from left to right, so I'll start with Layer 1. Not recognizing an imgur link was the most surprising thing ive read today. So, I have Hiking and Mountain Climbing. Go to the bottom of the Timeline, click and drag up to the left drawing a lasso around all the layers so they're all selected. Let's move the Current Time Indicator back to the beginning of the Timeline and scrub to the left on the X parameter to get the Menu off the screen on the left. To select multiple layers that are in a continuous stack in the timeline, select the top layer, hold Shift, and select the bottom layer. To link a null object to drive animation of multiple layers as a parent: Any layer linked to a parent layer is called the child of the parent layer. Without seeing your comp with the modified properties of all layers revealed it's pretty hard to visualize exactly what is going on but I suspect that the easiest solution may be to drop a colored solid behind the animation of the bird moving into the tree then precompose all layers and animate the tree swaying using puppet pin, then use Keylight to remove the solid background and insert the background artwork you want in the scene. You have two options. So, Pre-compose lets you animate a bunch of layers together as though they were combined in one single layer but it still gives you access to the original layers that make up the Pre-composition. So, assigning custom label colors can go a long way to making your Timeline look much more organized and presentable and one of the nice things if you get to layers that aren't in a continuous order you can always use the Label Color to select the Label Group. Layer mode. Here’s everything you need to know. All rights reserved. Click on the Stopwatch for the Scale parameter in Layer 1 to set a keyframe. And I want to tell you the most important thing about Pre-composing. And I've already gone through the process of applying groups to the layers I'd like to animate together. Nulls will have the name of the pins … Now, let's give this group a custom color and change its label color to Yellow. For these last few layers let's use the Select Label Group function, click on the label and choose Select Label Group and it will select all those layers with the same color. Let's go down and select Layer 10. Now I know that scale is rather linear and if you want to go ahead and select these keyframes and apply some ease to them, please feel free. Ive never had to do this kind of motion work. Any tips? Use Pre-compose to animate groups of layers. You would think there would be some sort of puppet pin thats like "place a pin here so it appears behind OTHER LAYERS" and not just itself. It is not a tool that you can efficiently use without doing some serious study and experimentation and the help files are pretty good. Select and label multiple layers in a composition. IOW, if you animate the bird so that it appears to go into the tree, then pre-compose the crow and the tree and try to puppet pin both together you'll end up with a problem with the mesh because it is based on the opacity of the layer. So, what I'm going to do is go up to the Layer menu and then choose New, Null Object. All right, now since I want all of these layers to follow [Null 1] I'll go to the label for Layer 2, click on it and choose Select Label Group and all the layers will be selected. Now since these are vector layers I'm going to select all the Illustrator layers one more time by going to the label for Layer 2 and choose Select Label Group and in the Switches area if you don't see these Switches Toggle Switches / Modes until you see the Switches. I don't click on outside links that I don't recognize for obvious reasons. Since the Menu Lines appear to be on their own I'm going to move them all the way to the top of the layer hierarchy and I'll just leave them their original layer color. This tutorial shows you how to use the Puppet Tool in Adobe After Effects CS3. First, we see how to draw a line with the pen tool and animate a line. It takes some practice to really … I wanted to get the technique down before I made it. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. I'll select Layer 4 but instead of holding Shift this time I'll hold Ctrl on Windows or Command on the Mac and select Hiking next, Mountain Climb next, Ice Climb after that and then Camp. The most important thing to remember is the next time you run into an animation problem you might want to consider if Null Objects combined with Parenting might be the solution. Why isn't After Effects preview real-time. Basically I got 3 layers involving a tree and a bluejay. Graph Editor. What happens is that the Puppet effect will deform part of your image based on where you place the pins. To select multiple layers that are in a continuous stack in the timeline, select the top layer, hold Shift, and select the bottom layer. Okay, so let's go through and select all the titles. - [Instructor] Of the many ways in After Effects … to distort a layer, the Puppet tool offers us direct control … over how we can warp, compress, and stretch a layer. Introduction to Puppet Tool in After Effects. It can sway in 2D or 3D as well as bending and twisting. Can figure out how to work Puppet tool multiple layers. I'll turn the visibility of Layer 1 off and on and I can see that these layers with the letter B are the buttons that are on the top. Now if we scrub you'll notice not only are the elements sliding but the layer is actually scaling up and the animation is scaling up all together. Have you spend some time with the help files and the community resources available when you type Puppet Pin in the search help field. With puppet tools I can get the bluejay to flutter around and hop in. In this course I will take you through the process of rigging and animating a character using the Puppet Pin Tool in After Effects. A null object is a layer that does not render in the composition but is visible in the Timeline. Step 1:Create a New Composition. This mode allows linking and swaying of multiple layers as opposed to the Puppet Pin Tool mode which can only sway one layer. Is puppet pins not the way to go about this? The only other way I can see to do this is to use a distortion mesh of some kind to move the tree and everything else so you don't have problems with puppet pin mesh. The Puppet tool inside of After Effects is extremely powerful. These tools can be used for artistic purposes as well as to repair problem areas in footage. For example, you can activate a camera tool only when the active composition contains a camera layer.To momentarily activate a tool with a single-letter keyboard shortcut, hold down the key; release the key to return to the previously active tool. Price: Free, included in After Effects. And it works on any type of artwork (.psd,.ai, shape layers, … This simple trick will help you to be able to Nulls are created in correct positions. Select the layer … Rather than grouping these all in a row let's leave them alone and just give them their own custom label color. We’ve said it before and we’ll keep saying … Press Ctrl + Z on Windows or Command + Z on the Mac to undo the last change, then press S to hide the Scale Parameter. Go ahead and click OK when you're finished and notice all those layers collapse into this one Pre-composition Layer. Please just drag your images and screenshots to this forum. And while this animation is nice I'd like to make it a little more dynamic by adding some scale and make them actually pop up in the middle of the scene. Puppet pin meshes are based on the opacity of a layer. So, let's press the Spacebar to stop playback. If you are new to After Effects or have never used the Puppet tool… PuppetTools 3 is an easy to use rigging tool for After Effects that will save you hours of work. Side of the line and animate layers software including Adobe After Effects, Cinema 4D and Pro...: //i.imgur.com/CRFQ3Dx.jpg other visible after effects puppet tool multiple layers the alpha channel by making adjustments to the label color have... The first frame it will leave parts BEHIND fanned out a little bit Effects, Cinema 4D Premiere... 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For a smartphone app tabs at the top of the labels and this time 's! Group these visually go to the Layer menu and go down to the layers I 'd like to animate.... They both slide in from the sound of all this it looks like going! Have you spend some time with the Spacebar you 'll see label Colors 3D...